And playback was to verify the data was recorded (sure the meters say it was recorded) but you don't really know the quality until playback. On playback the engineer was always relieved that the recording actually happened. The recorder (back then, magnetic tape) as several milliseconds behind the live musicians (caused by the distant between the record head, and the playback head) so you monitored the musician direct.
in the studio the engineer opted to listen DIRECT to the signal of the musicians as they played. If we use the old school analogy of a tape recorder. Hearing both means you are routing signal both to the speakers DIRECT, and also through the computer. You can choose to monitor (listen) to one or the other.
One is called the DIRECT Monitor signal, the other is post the computer (the latent) signal. When you are using the Montage as your computer's audio interface, it returns audio to the the Montage but this time the Montage is acting as the audio interface (routing the signal, again to the speakers). Then you have a path of audio that you are routing to the computer via USB. That is, from the synth itself to the Main L&R outputs. In general, doubling is a matter of routing signals from the Montage to your speaker system as normal. While there are things to consider with setup, there is a lot of help. You can choose to use the Audio interface or not. The Montage is a MIDI keyboard with a built-in audio and MIDI interface. We hope to have specific help for Logic Pro Users.
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